Skin Illustrator Cell Palette - Fleshtone

The Skin Illustrator Flesh Tone Replaceable Cell Palette features the same collection of colors you love with the addition of removable color cell. Making replacing used up colors from your palette fast and easy.

The colors available in the Skin Illustrator Cell Fleshtone Palette range from the palest of pink tones to the deepest rich yellow tones. The system contains skin tone colors with warming/cooling adjusters that are ideal for fine tuning a skin tone mix that's a perfect match, or for creating a subtle bruising for close camera work. Rice Paper, the staple of the palette, can be used as a white color to lighten a particular mix, or on its own to match the skin. You can use Natural 1 & 2 as the basis for most Caucasian tones. These colors already lean to the yellow side of a natural tone so you can decide how much warmth or coolness to add. If you need to warm the Naturals, add a little Coral Adjuster or Rose Adjuster 2. If you need to cool the tone, add a little Vein Tone to achieve a beige color. Lao 1 & 2 will be the basis for your yellow undertoned subjects. Start with these colors and you can lighten the tone with a Rice Paper mix. To make your color more beige, add Vein Tone. To make your color more olive, add Olive Adjuster II, and if you want to add a touch of golden quality, use the Coral Adjuster. Cedar Brown is a warm yellow based brown that can add a tan to your actor or darken the 5 basic flesh tones, All of the color adjusters have been formulated to intermix with the flesh tones.

The Cell Fleshtone Palette colors include: Rice Paper, Natural 1, Natural 2, Lao 1, Lao 2, Cedar Brown, Vein Tone, Coral Adjuster, Olive Adjuster 2, and Rose Adjuster 2.

Skin Illustrator is a system of durable, water and abrasion resistant alcohol activated make-up. Created by professionals for professionals, Skin Illustrator is designed to speed up the process of color applications and touch ups by greatly reducing the need to mix colors. The wide range of colors allows you total control to create any illusion imaginable. Skin Illustrator will cover tattoos, create effects, color hair, and it can be used on foam latex, gelatin, plastic, and silicone appliances. The high pigment content provides rich color tones that stay in place and last all day. Skin Illustrator colors can be activated with a spray or dab of alcohol, and they require few touch ups other than an occasional powdering. Whether you use a brush, air brush, sponge or stipple technique, Skin Illustrator can fix a problem or keep one from happening.

Skin Illustrator palettes must be activated with Skin Illustrator Activator, Skin Illustrator Slow Activator or 99% Isopropyl Alcohol. Do Not use 70% alcohol, MEK, acetone, water or any other solvent to attempt to activate the palette.

A quick spritz of Skin Illustrator Activator or Slow Activator into the cell of the palette is all that is needed to transfer the dry pigment from the palette to your brush or sponge then onto the skin. As the Activator evaporates the makeup dries on the skin.

Removal is easy with the Super Solv line of removers or Telesis Makeup Remover.

Due to the high pigment content and lack of unnecessary fillers in the Skin Illustrator color system, cracks, bubbles and any shrunken appearance that may occur in some dried color cells does not affect the quality or performance of the product in any way.