Skin Illustrator Palette - Dark Fleshtone

Designed as the follow-up to the original Flesh Tone palette, the Dark colors complete the entire range of flesh tones. When combined with the FX and light Flesh Tone colors, the Dark Flesh Tone colors will allow the artist to duplicate virtually any skin tone, no matter how light or dark. The BAMBOO 1 and 2 colors are warmer yellow base tones than the LAO 1 and 2, offered in the original Flesh Tone palette. This significant difference gives the artist an even wider range of tone variation when blending colors. Other warm base tones include CHOCOLATE, ESPRESSO 1 and 2, and MIDNIGHT BROWN, the darkest of the base tones. BURNT SIENNA, GOLDEN OCHRE and RED OXIDE are all adjusting colors that alter the base tones in different ways, providing an endless array of color possibilities. By mixing MIDNIGHT BROWN with the BLACK tone from the FX Palette, the deepest ebony tones can be obtained, creating rich, natural colors that are not gray or ashy. When mixing MIDNIGHT BROWN with BAMBOO 1, you begin to create taupe colors, which are great for use as character shading colors. CORAL BLUE is a gentle wash-tone adjuster that will provide a cooling effect, different than the other blue tones found in the original Flesh Tone palette.

The Dark Flesh Tone colors are also great for defining hairlines and filling in scalp patches. The CORAL BLUE and BURNT SIENNA are also fabulous for covering up beard shadow.

The Dark Fleshtone Palette colors include: Bamboo 1, Bamboo2, Chocolate, Espresso 1, Espresso2, Midnight Brown, Burnt Sienna, Golden Ochre, Red Oxide, and Coral Blue.

Skin Illustrator is a system of durable, water and abrasion resistant alcohol activated make-up. Created by professionals for professionals, Skin Illustrator is designed to speed up the process of color applications and touch ups by greatly reducing the need to mix colors. The wide range of colors allows you total control to create any illusion imaginable. Skin Illustrator will cover tattoos, create effects, color hair, and it can be used on foam latex, gelatin, plastic, and silicone appliances. The high pigment content provides rich color tones that stay in place and last all day. Skin Illustrator colors can be activated with a spray or dab of alcohol, and they require few touch ups other than an occasional powdering. Whether you use a brush, air brush, sponge or stipple technique, Skin Illustrator can fix a problem or keep one from happening.

Skin Illustrator palettes must be activated with Skin Illustrator Activator, Skin Illustrator Slow Activator or 99% Isopropyl Alcohol. Do Not use 70% alcohol, MEK, acetone, water or any other solvent to attempt to activate the palette.

A quick spritz of Skin Illustrator Activator or Slow Activator into the cell of the palette is all that is needed to transfer the dry pigment from the palette to your brush or sponge then onto the skin. As the Activator evaporates the makeup dries on the skin.

Removal is easy with the Super Solv line of removers or Telesis Makeup Remover.

Due to the high pigment content and lack of unnecessary fillers in the Skin Illustrator color system, cracks, bubbles and any shrunken appearance that may occur in some dried color cells does not affect the quality or performance of the product in any way.